What materials / objects /things are in use in these workshops? How / why are they chosen to be included? The workshops extend beyond simple material studies at the point of feedback – how the object influences the decisions about how it could be used and the potential impact upon neighbouring objects. The materials are wood, metals, springs, rubber, LEDs, motors, vibration motors, cardboard, resistors, capacitors, transistors, glass, mirrors, arduino, computers, software, solder, hot glue, hammers, knives, paper clips – and on, and on… They assemble in messy, noisy groups influenced by artists like Martin Howse, Ryan Jordan, Jonathan Kemp. Martin’s recent explorations into Earth evolve in a complex system where computer or electronics device meet with the originator of that mined material – ‘A Geology of Media’ Jussi Parikka. Similar explorations of object surface, weak transmission (mini FM) and combinations of light signal and sound that move far far away from standard ‘A/V’ performance or installation – this is not a screensaver! Watching Martin perform EARTH CODE develops areas of ‘the fold’ – must read Deleuze and Leibniz! – where spaces of interaction are increased or reduced with each movement of material. Interesting chapter by Diane Coole in ‘New Materialisms: Ontology, Agency and Politics’ – the fold, Umwelt (Uexküll), matter, matter, matter, flesh. Also – Karen Barad’s ‘intra-action’.