T+I Installation

transmission+interference [Digital Synesthesia]

‘I… I… I… I’m the radio, I’m the tower…, with electromagnetic access everywhere at once.’

[Mayakovsky, V. and Kahn, D. EARTH SOUND EARTH SIGNAL p.124]

Digital Synesthesia exhibition opening 10. März 2016, 19:00 exhibition duration 11. März 2016 – 8. April 2016 AIL, Franz-Josefs-Kai 3, 1010 Wien Program: Welcome address by Gerald Bast On the project and exhibition: Ruth Schnell, Katharina Gsöllpointner, Romana Schuler The Digital Synesthesia exhibition presents 13 artworks which result from a three-year process of arts-based research about the synesthetic capabilities of digital art, organized at the Department of Digital Art at the University of Applied Arts Vienna. The show is accompanied by an exhibition booklet. Exhibiting artists: Anke Eckardt, Karl Heinz Jeron,, kondition pluriel (Martin Kusch /, Marie-Claude Poulin), Alan Kwan,, Karen Lancel / Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw / Sarah Kenderdine, David Strang / Vincent Van Uffelen, Tamiko Thiel / Christoph Reiserer, Peter Weibel Board of curators: Katharina Gsöllpointner, Ruth Schnell, Romana Schuler, Jeffrey Shaw, Peter Weibel Live performances on 10 March 2016 7:30 – 9:30 pm Karen Lancel / Hermen Maat: E.E.G. KISS (with audience participation) 8:00 – 9:30 pm Ulla Rauter: Sound Calligraphy 8:30 – 9:00 pm David Strang / Vincent Van Uffelen: transmission+interference 11 and 12 March 2016, 4:00 pm Alan Kwan: The Flying Umbrella Project (in cooperation with Tonspur / Georg Weckwerth) Location: AIL, Franz-Josefs-Kai 3, 1010 Wien Exhibition design: Wolfgang Fiel Project Coordination: Gabi Pichler DIGITAL SYNESTHESIA Symposium: Mon, 4 April 2016, 2:00 pm to 6:00 pm Tue, 5 April 2016, 9:30 pm to 2:00 pm Location: University of Applied Arts Vienna, Vordere Zollamtstrasse 3/ Room ZG21a/b 1030 Vienna Lecturers: Gerald Bast, Katharina Gsöllpointner, Lawrence E. Marks, Aleksandra Mroczko-Wasowicz, Danko Nikolic, Regine Rapp, Chris Salter, Romana Schuler, Miriam Spering, Peter Weibel, N.N. The book Digital Synesthesia: A Model for the Aesthetics of Digital Art, edited by R. Schnell, K. Gsöllpointne

Digital Synesthesia exhibition opening 10. März 2016, 19:00 exhibition duration 11. März 2016 – 8. April 2016 AIL, Franz-Josefs-Kai 3, 1010 Wien Program: Welcome address by Gerald Bast On the project and exhibition: Ruth Schnell, Katharina Gsöllpointner, Romana Schuler The Digital Synesthesia exhibition presents 13 artworks which result from a three-year process of arts-based research about the synesthetic capabilities of digital art, organized at the Department of Digital Art at the University of Applied Arts Vienna. The show is accompanied by an exhibition booklet. Exhibiting artists: Anke Eckardt, Karl Heinz Jeron,, kondition pluriel (Martin Kusch /, Marie-Claude Poulin), Alan Kwan,, Karen Lancel / Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw / Sarah Kenderdine, David Strang / Vincent Van Uffelen, Tamiko Thiel / Christoph Reiserer, Peter Weibel Board of curators: Katharina Gsöllpointner, Ruth Schnell, Romana Schuler, Jeffrey Shaw, Peter Weibel Live performances on 10 March 2016 7:30 – 9:30 pm Karen Lancel / Hermen Maat: E.E.G. KISS (with audience participation) 8:00 – 9:30 pm Ulla Rauter: Sound Calligraphy 8:30 – 9:00 pm David Strang / Vincent Van Uffelen: transmission+interference 11 and 12 March 2016, 4:00 pm Alan Kwan: The Flying Umbrella Project (in cooperation with Tonspur / Georg Weckwerth) Location: AIL, Franz-Josefs-Kai 3, 1010 Wien Exhibition design: Wolfgang Fiel Project Coordination: Gabi Pichler DIGITAL SYNESTHESIA Symposium: Mon, 4 April 2016, 2:00 pm to 6:00 pm Tue, 5 April 2016, 9:30 pm to 2:00 pm Location: University of Applied Arts Vienna, Vordere Zollamtstrasse 3/ Room ZG21a/b 1030 Vienna Lecturers: Gerald Bast, Katharina Gsöllpointner, Lawrence E. Marks, Aleksandra Mroczko-Wasowicz, Danko Nikolic, Regine Rapp, Chris Salter, Romana Schuler, Miriam Spering, Peter Weibel, N.N. The book Digital Synesthesia: A Model for the Aesthetics of Digital Art, edited by R. Schnell, K. Gsöllpointne

Digital Synesthesia exhibition opening 10. März 2016, 19:00 exhibition duration 11. März 2016 – 8. April 2016 AIL, Franz-Josefs-Kai 3, 1010 Wien Program: Welcome address by Gerald Bast On the project and exhibition: Ruth Schnell, Katharina Gsöllpointner, Romana Schuler The Digital Synesthesia exhibition presents 13 artworks which result from a three-year process of arts-based research about the synesthetic capabilities of digital art, organized at the Department of Digital Art at the University of Applied Arts Vienna. The show is accompanied by an exhibition booklet. Exhibiting artists: Anke Eckardt, Karl Heinz Jeron,, kondition pluriel (Martin Kusch /, Marie-Claude Poulin), Alan Kwan,, Karen Lancel / Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw / Sarah Kenderdine, David Strang / Vincent Van Uffelen, Tamiko Thiel / Christoph Reiserer, Peter Weibel Board of curators: Katharina Gsöllpointner, Ruth Schnell, Romana Schuler, Jeffrey Shaw, Peter Weibel Live performances on 10 March 2016 7:30 – 9:30 pm Karen Lancel / Hermen Maat: E.E.G. KISS (with audience participation) 8:00 – 9:30 pm Ulla Rauter: Sound Calligraphy 8:30 – 9:00 pm David Strang / Vincent Van Uffelen: transmission+interference 11 and 12 March 2016, 4:00 pm Alan Kwan: The Flying Umbrella Project (in cooperation with Tonspur / Georg Weckwerth) Location: AIL, Franz-Josefs-Kai 3, 1010 Wien Exhibition design: Wolfgang Fiel Project Coordination: Gabi Pichler DIGITAL SYNESTHESIA Symposium: Mon, 4 April 2016, 2:00 pm to 6:00 pm Tue, 5 April 2016, 9:30 pm to 2:00 pm Location: University of Applied Arts Vienna, Vordere Zollamtstrasse 3/ Room ZG21a/b 1030 Vienna Lecturers: Gerald Bast, Katharina Gsöllpointner, Lawrence E. Marks, Aleksandra Mroczko-Wasowicz, Danko Nikolic, Regine Rapp, Chris Salter, Romana Schuler, Miriam Spering, Peter Weibel, N.N. The book Digital Synesthesia: A Model for the Aesthetics of Digital Art, edited by R. Schnell, K. Gsöllpointne

Digital Synesthesia exhibition opening 10. März 2016, 19:00 exhibition duration 11. März 2016 – 8. April 2016 AIL, Franz-Josefs-Kai 3, 1010 Wien Program: Welcome address by Gerald Bast On the project and exhibition: Ruth Schnell, Katharina Gsöllpointner, Romana Schuler The Digital Synesthesia exhibition presents 13 artworks which result from a three-year process of arts-based research about the synesthetic capabilities of digital art, organized at the Department of Digital Art at the University of Applied Arts Vienna. The show is accompanied by an exhibition booklet. Exhibiting artists: Anke Eckardt, Karl Heinz Jeron,, kondition pluriel (Martin Kusch /, Marie-Claude Poulin), Alan Kwan,, Karen Lancel / Hermen Maat, Marcello Mercado, Ulla Rauter, Ruth Schnell, Jeffrey Shaw / Sarah Kenderdine, David Strang / Vincent Van Uffelen, Tamiko Thiel / Christoph Reiserer, Peter Weibel Board of curators: Katharina Gsöllpointner, Ruth Schnell, Romana Schuler, Jeffrey Shaw, Peter Weibel Live performances on 10 March 2016 7:30 – 9:30 pm Karen Lancel / Hermen Maat: E.E.G. KISS (with audience participation) 8:00 – 9:30 pm Ulla Rauter: Sound Calligraphy 8:30 – 9:00 pm David Strang / Vincent Van Uffelen: transmission+interference 11 and 12 March 2016, 4:00 pm Alan Kwan: The Flying Umbrella Project (in cooperation with Tonspur / Georg Weckwerth) Location: AIL, Franz-Josefs-Kai 3, 1010 Wien Exhibition design: Wolfgang Fiel Project Coordination: Gabi Pichler DIGITAL SYNESTHESIA Symposium: Mon, 4 April 2016, 2:00 pm to 6:00 pm Tue, 5 April 2016, 9:30 pm to 2:00 pm Location: University of Applied Arts Vienna, Vordere Zollamtstrasse 3/ Room ZG21a/b 1030 Vienna Lecturers: Gerald Bast, Katharina Gsöllpointner, Lawrence E. Marks, Aleksandra Mroczko-Wasowicz, Danko Nikolic, Regine Rapp, Chris Salter, Romana Schuler, Miriam Spering, Peter Weibel, N.N. The book Digital Synesthesia: A Model for the Aesthetics of Digital Art, edited by R. Schnell, K. Gsöllpointne

This transmission+interference installation was developed for the Digital Synesthesia exhibition in Vienna, February 2016. It later travelled to be exhibited at the ISEA conference in Hong Kong, May 2016.

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What if one could utilize someone’s unique sensing ability?

Would this bE AN EfPectiVe d00l T0I sTckr3ly c$m_uEicR7s!

This installation was created by David Strang and Vincent Van Uffelen and is part of their larger collaborative project Transmission+Interference. The artists explore the creative potential within light as both the creator and transmitter of sound and actively move away from creating visualisations of sound towards an audiovisual experience based on resonance and feedback loops between light, sound and object. Using performances, workshops, and installations they attempt to learn about information, disturbance, noise, glitch, communication, as well as the ephemeral relationships that emerge from both theirs and the audience’s engagement. The artists aim to reveal the complexity of these fleeting experiences that occur in the moment, those glitches that happen somewhere between physical sensors and mental representation, that can’t be recorded, repeated, or simulated.

TRANSMITTER > MULTI-MODAL CROSSOVER > RECEIVER

Consisting of three parts the interactive installation investigates the potential for using digital devices to create a synesthetic communication system. The installation draws on the different experiences of synesthetes and uses this to explore a messy and playful way of communication. Using digital protocols of ASCII, MIDI and frequency conversion letters are encoded into a combination of a light colour and a sound frequency (e.g. “A” is transmitted as yellow light and a 50 Hz sine wave) allowing a simulated synesthete to decode the text that has been transmitted through space. However, to reach closer to a synesthetic communication process the classic Transmitter -> Receiver pattern must be interrupted by a multi-modal crossover that mimics a synesthetes’ unique experience of light and sound. The visitor is able to adjust the multi-modal crossover to gain further understanding of a synesthetes unique experience whilst interfering with a potentially flawless communication flow.

By expanding the communication system across three distinct sections, the installation develops defined territories or zones where information (noise and signal) flows over and through. Although these sections of the system appear as physical material in the space the artists are actively exploring the spaces between the physical parts. It is here where we encounter the resonance within the system; where neighbouring sections meet through the interference of external noise (light and sound) and through which new meaning potentially begins to emerge. The system encourages a nomadic movement of information across a technological plateau that is initially understood as linear, allowing for the spreading, leaking and disruption of information across undefined routes.

What if one could utilize someone’s unique sensing ability? Would this be an effective tool to securely communicate? After all, one could covertly send hidden messages in plain sight that only an intended receiver could decode (steganography). Such a system for transmission could, in the odd event, be learnt and understood by someone able to perceive the blurring of these senses and, with practice, the user could claim our proposal as their own efficient, albeit abstract, working communication tool.

Furthermore, the installation is a cybernetic experiment tapping into the unknowable and becoming. The physical installation is also an enquiry into practice in its own right and aims to raise questions about our relationships with technology, our co-evolution, and the blurry lines that our minds try to define as borders between the self, the body and other technological systems.